Friday, July 22, 2011

Is Hausa hard? Is the Pope German?


If we had heard it once, we had heard it a hundred times.
“Don’t worry, Hausa is easy.”
This is the advice we received before we came to Nigeria.  We’ve since come to realize that this advice was coming from either (a) people who mastered Hausa decades ago and have since forgotten what it was like to learn it, (b) people who only rarely use Hausa in their daily lives, or (c) language geniuses.  Hausa is not easy. Hausa is hard.
Hausa is a tonal language.  Twelve months ago this would have only vaguely meant anything to me.  I understood tonal language to mean something about the tone of voice used impacting meaning and thought that it was only in languages like Chinese, so I should be safe. Wrong.
I have come to see a tonal language is one where the pitch of the syllable and pitch changes between syllables mean AT LEAST as much as the actual sounds made in speaking the words.  English has a few words that have meaning affected by tone, but not many.  We do talk about “stress” in English, which does have some similarity, too.  For example, if you said megaphone as “MEG-a-phone” it would not necessarily be interpreted the same as “meg-a-PHONE”.  
Instead of stress, think about what pitch you use when talking. In English we use pitch at times to highlight a word or to make a sentence “flow” better – like raising the pitch toward a question or the general lowering of pitch toward the end of a sentence.  That happens in Hausa sentences, but also within each word.  An example from English is the word address.  When you are getting ready to mail something, you write the address (noun) on it.  We say that kind of address with the “ad” part higher than the “dress” part.  If you call out someone’s name to get their attention, you address (verb) them.  We say that with the “ad” low and the “dress” higher. 
In the example, changing whether your pitch was low-high or high-low changes the meaning of the word.  This is what happens in Hausa.  WITH EVERY WORD.  In a two syllable word, low-high, high-low, low-low, and high-high are all possibly different meanings.  Now to make it worse, you could also have a falling tone (going from high to low in one syllable), or if it is a word with more than two syllables, you could have high, low and middle tones.
To make this even more complex, in most tonal languages – including Hausa – the tones are not written in any form, so like address (the noun) and address (the verb), you can’t tell just by looking at the word which way to say it.  We have had to create our own way of marking what tone a syllable has, so we can hopefully reproduce it correctly next time.  What’s more, many people speaking tonal languages don’t realize what they are doing with the tones, because that’s how they’ve always used the language, and so they have trouble helping you learn them.  We get laughed at often when using the improper tone, only to have the person correct us by saying the exact same thing back to us (at least that’s what it sounds like to us).  They may not be able to explain to you what the tones are doing and how you messed it up, they just know you did.  
So some examples for you:
mata.    Said with “ma” high and “ta” low (hereafter, high-low, etc), it means wife.
                Said high-high, it means wives (plural).  Small difference in sound, BIG DIFFERENCE IN MEANING!
ina.  Said high-low, it means I (am).  Said low-high, it means where or how is.
fara.  Said high-low, it means to begin.  Said low-high, it means grasshopper.  Said high-high, it means anemia.

In our training we were taught that there was one good thing about tonal languages.  Apparently with all the differing meanings based on different tonal combinations, tonal languages have a tendency to use shorter words.  Maybe it is because they cram all their vocabulary into fewer words by modifying tones, I don’t know, but what ends up happening is each word gets used over and over, and there are a seemingly endless list of one or two syllable words that all end in –a.
Take the Hausa word, da.
                Da with a high tone doesn’t exist. This should make it easy, right? Wrong.
                Da with a falling tone means:  1. formerly  2. before  3. just now  4. if, then
                Da with a low tone mean: 1. with  2. and  3. by  4. than  5. that, which, who  6. when  7. since  8. there is/there are  9. at (in reference to time)  10. in the (in reference to time of day)
Just for fun in class the other day I came up with this sentence. 
                Ina da ti da zan sha da shi da ta.  (Translates as:  I have tea that I will drink with him and her.)
In it, every da has a different meaning.
This challenge may make it fun to create sentences in a Hausa classroom, but it sure makes interpreting what people are saying as they speak very hard!  But, muna kokari (we are trying!)

That reminds me... Kokari is the best I can type it on an English keyboard, but is not actually how it is spelled, since it uses letters that don't exist in English.  Maybe next note I will explain the Hausa alphabet...

Saturday, July 9, 2011

"Ka maimaita"


“Ka maimaita.”

“Ugh,” I groaned. My least favorite words.

She chuckled and said again, “Ka maimaita.”

It means “repeat it again,” and our teacher sadistically taunts us with it essentially every time we open our mouths and stumble through our best attempts at Hausa.

“Taaaa tafi … kaasuwa … … taaaa … saaayiii … … dankaaaali  … daaaa … waaakkeee … jiiiiiiya.” I did pretty well, I think.

But then she opens her mouth while looking blankly up at the ceiling. “Ta tafi kasuwa ta sayi dankali da wake jiya,” correcting my tonal errors and making it sound easy.  “Ka maimaita.”

I take a deep breath and try again.  Maybe someday I’ll move beyond my baby steps and really get this language.

We’ve been asked by some of you how our language classes are going, and what Hausa is like. Over the next little bit we’ll try to give you a glimpse of our learning process and the language. Stay tuned!

Sunday, July 3, 2011

Kid's Eye View

Ever wonder what our children think of being brought to Nigeria? Do they feel like fish out of water? Do they wish we weren't here? This month's newsletter is an interview with our three boys, to find out what they think of being here, and what they have to say to you back in the States.

You can find it on our Newsletter page!  Happy reading!